Though Horn briefly mentions Zionism as a key aspect of Jewish heritage, one subject not discussed here is how the complex situation in the Middle East-characterized by dead Jews and dead Palestinians-fits into her analysis.Ī riveting, radical, essential revision of the stories we all know-and some we don't.Ī potent series of “notes” paints a multidimensional picture of Blackness in America. His clarity about the meaning of the "prick us, do we not bleed" speech is a revelation.
Particularly affecting is "Commuting With Shylock," in which Horn describes how she listened to an audio version of The Merchant of Venice with her precocious 10-year-old son, stopping frequently to explain key points. Since these museums have not stopped people hating or killing Jews, wonders the author, what is the point of recalling the operation of the genocide at a “granular” level? Readers will be enthralled throughout by the fierce logic of Horn's arguments, novelty of research, black humor, and sharp phrasing. The author ranges widely: the mythology of Ellis Island the marketing of the Jewish history of Harbin, China (why call it "Property Seized from Dead or Expelled Jews" when you can call it a "Jewish Heritage Site”?) and the problematic elements of Holocaust museums and exhibits. At the heart of Frank's myth is a passage from her diary that reads, "I still believe, in spite of everything, that people are truly good at heart." As Horn points out, Frank was less than a month from meeting people who surely convinced her that she was wrong. 1-Horn looks at Anne Frank, who the author believes would never have been so beloved had she survived. In the first chapter, "Everyone's (Second) Favorite Dead Jew"-presumably Jesus Christ is No.
The cold fury and in-your-face phrasing of the title of acclaimed novelist Horn's essay collection sets the tone for this brilliantly readable yet purposefully disturbing book. A guided tour of the hypocrisy that serves as the mechanism by which antisemitism rages on unchecked.
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